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MJ BRONZ is the collaborative effort of

Michael w. Howes & Jenny Authement

Jenny Authement
4459 Bayouside Drive
Chauvin, LA 70344
Ph. 985-594-7452
artjeninc@yahoo.com

Michael w. Howes
1505 Stuart Avenue
Baton Rouge, LA 70808-3775
Ph. 225-387-6627
absolinc@cox.net

Biography

MJ Bronz is the collaborative team of sculptors Michael w. Howes and Jenny Authement. Howes holds the M.F.A. from the University of Alabama and is the Arts Coordinator of Visual Arts in the School of Fine Arts at Nicholls State University in Thibodaux, LA, USA. He exhibits with the Ward-Nasse Gallery in New York City and the Baton Rouge Gallery in Baton Rouge, LA. Jenny Authement, an adjunct Instructor of Art at Nicholls State University, holds the M.F.A. from the University of Georgia and is the recipient of a Louisiana Division of the Arts Fellowship for 2003. She has exhibited throughout the southeastern United States, in New York City at the Viridian Gallery, and at the Palazzo Vagnotti in Cortona, Italy. She also exhibits at the Baton Rouge Gallery in LA. MJ Bronz created “Salt Mine Rescue Memorial” in St. Mary Parish, Louisiana in 1998. This past December 2003, MJ Bronz exhibited in the invitational Biennale Internazionale Dell’Arte Contemporanea in Florence, Italy. Their installations explore links between the natural and spiritual worlds using a variety of materials, sound, and light. Michael w. Howes and Jenny Authement have worked jointly for several years creating Having Sanctuary, Beyond Distance, Apparitional Labyrinth, and Journey of Transitions: Tibet.

 

ARTIST STATEMENT:

Venerable Dwells
All that is, is holy.
Transformation is through the body.
Through dense physical structures, the "dwells", embody the unmanifested -- birthlessness, deathlessness, eternal presence. With surrender, ephemeral flowing portals enable transcendence that manifests into spiritual realization -- the "venerable".

A life/death/life journey has instinctually led us in the evolution of collaborative installations. In Having Sanctuary, transitory cocoon figures, shrouded shells are energized with the use of subtle lighting or water-like reflections. These mystical figures allow change in many forms to be absorbed or repelled, just as the semi-permeable membrane of a cell accepts or rejects the elements that surround it. Our survival, as that of the cell, depends upon our understanding of the circumstances we encounter. Enveloping forces serve to either create layers of reality that can encapsulate and restrain or allow us to break free, making us ready for change --- a new process of transition.

Beyond Distance explores the movement of substance and spirit as a mystery that engages our beliefs in what we know of the physical world and our awareness of eternal truths. To travel not only implies a place to begin and a destination, but also assumes a path between. The point at which we continue to find ourselves is that place, Beyond Distance.

Next, the inexplicable, what we know of this life and what it will become, is made even more complex by the mythologies of various cultures. Apparitional Labyrinth unites the image and idea of these inherent mysteries of life with the hope of providing some comfort through an understanding of forces one cannot see or touch.

Ultimately, in Journey of Transition: Tibet, colored sutra-streamers blue as the sky, orange for fire, and yellow like the earth transcend from the Tibetan Plateau to the earthbound prayer markers. Colors, fabrics, and forms create the substances that link the physical world to the spiritual realm. The movement and light of these substances are a metaphor for the continuing voice of prayer. The journey is the transition between the two.

 

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